Taylor Swift’s jaw-dropping amount paid to reclaim her masters albums revealed

Taylor Swift has won a monumental victory in her ongoing battle for music ownership rights, officially regaining the masters to her first six albums.

According to reports, the 35-year-old pop icon paid an estimated $360 million to buy back her catalog from Shamrock Capital, the private equity firm that acquired her recordings from Scooter Braunโ€™s Ithaca Holdings in 2020.

The deal marks the end of a years-long saga that has redefined the conversation around artist ownership in the music industry.

A Long-Fought Battle for Control

Swiftโ€™s public fight began in 2019, when Braunโ€™s Ithaca Holdings acquired Big Machine Records, which held the rights to her early music. Swift claimed she was never given a fair chance to buy her own masters and labeled the situation her โ€œworst-case scenario.โ€

In response, she launched the now-celebrated Taylorโ€™s Version project, a bold strategy to re-record her early albums and regain commercial and artistic control. Since then, she has re-released:

  • Fearless (Taylorโ€™s Version)
  • Red (Taylorโ€™s Version)
  • Speak Now (Taylorโ€™s Version)
  • 1989 (Taylorโ€™s Version)

An Emotional Victory

In an emotional post on her official website Friday, Swift confirmed the acquisition:

โ€œIโ€™ve been bursting into tears of joy at random intervals ever since I found out that this is really happening.โ€

โ€œAll of the music Iโ€™ve ever made … now belongs … to me.โ€

Swift acknowledged that the journey had been difficult and uncertain, with moments where she doubted this day would ever come. Still, she remained committed to reclaiming her legacy.

Whatโ€™s Next: Reputation and Debut Album Still to Come

Although she now owns her masters, Swift shared that she has not yet completed the re-recordings of two albums:

  • Reputation (Taylorโ€™s Version)
  • Taylor Swift (Debut Album)

โ€œThey can still have their moment to re-emerge when the time is right,โ€ she assured fans.

Supporters have embraced Swiftโ€™s re-recordings, helping them outperform the originals tied to Braunโ€™s former ownership and making them commercial hits in their own right.

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